Three decades directing for cameras.
Neural Narrative - Hybrid production
Three narrative projects. Built for hybrid cinema.
Real actors. Synthetic characters. Generative environments. Traditional filmmaking craft meeting AI-native production
MY MOTHER
A haunting mental noir. Fractured identity, stolen kin, a bond forged in sin.
A woman raises a child as her own, with all the love, sacrifice, and silence that comes with it. When she's gone, the daughter left behind finds a small piece of hospital plastic
tucked away in a drawer.
Everything she thought she knew about where she came from has to be rebuilt from scratch.
In production
Now I direct for machines. // I’m still learning what that means.
THE BASEMENT
A disgraced police inspector devises the perfect plan to save his career,
kidnap a judge's daughter, lock her in his basement, then ride in as the hero who brings her home. The plan is flawless. What he didn't account for was fate having a plan of its own.
In pre-production.
CLAIRE
Being loved is not the same as being real.
Julian lost his wife. Now Claire lives in the house by the water, raises his son, and remembers almost everything. Almost.
A hybrid film: Julian and Noah are played by real actors, and Claire is synthetic. The film is about a copy, and it’s made with one.
The open question: can a performance that nobody lived through still hold an inner life when it stands opposite a human being? I don’t know yet. CLAIRE is how I’ll find out.
In development.
Turkish Airlines · Samsung · Audi · Levi's · Sony · Empera
Elite Commercial Curation
Turkish Airlines · (live action)
Ziraat Insurance (Visual storytelling driven by character and comedy)
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Lacoste — AI-Driven Visual Narrative
Hattori Hanzo Shears — AI-Native Commercial Film
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